Radical Ambivalence: Engaging Poststructurally with Performance, (Re)Envisioning the Political

Authors

  • Brandy Wiebe Brandy Wiebe is working on her doctoral degree in Sociology at the University of British Columbia.

DOI:

https://doi.org/10.7202/1121178ar

Abstract

This paper uses poststructural theories, in particular Judith Butler's work, to analyze the performances and interviews of Vancouver-based performers Heather Robertson and Nikki Prime-French and explores how feminist political intervention need not always be directly intentional and organized to be effective.

References

Front Cover - Nancy Edell, "Operating" 1994. Hooked rug (found rag and burlap). collection of the Art Gallery of Nova Scotia. Permission by Peter Walker, guardian of estate of Nancy Edell. Photo by Cecily Barrie.

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Published

2012-02-24

Issue

Vol. 30 No. 2 (2006): Women, Art, Politics, and Power

Section

Original Research

License

Copyright (c) 2025 Brandy Wiebe

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