Mavis Gallant's World of Women: A Feminist Perspective
Abstract
This article presents the oeuvre of Mavis Gallant as creative of a fictive " world of women" which can be read as an imaginative recording of--and recoiling from--the North American Feminine Mystique. By analysing a representative number of Gallant's fictions produced over the last thirty years, and by examining her views on women and society as expressed in interviews and in her non-fiction works, the article explores the questions of to what degree Gallant can be considered a feminist writer; in what manner her fiction has been misconstrued and delimited by the "pro-masculine" critic; and of what enduring value Gallant's writing--which sets strict limits on women's possibilities of escaping from their "kitchen in a slum"--can have for feministsMetrics
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal right of first publication, with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are aware that articles published in Atlantis are indexed and made available through various scholarly and professional search tools, including but not limited to Erudit.
3. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
4. Authors are permitted and encouraged to preprint their work, that is, post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process. This can lead to productive exchanges, as well as earlier and greater citation of published work. Read more on preprints here.